For many die-hard science fiction readers like me, the one factor defining the genre is the question of what makes us human. The old masters of the art–Asimov, Clarke, Heinlein, and Bradbury–regularly answered that question using robots, trans-humans, and even Martians. My favorite novels tend to fall into that category, and I’ve added new writers to my list, which now includes Gibson and Bacigalupi. This is my first experience with Ms. Morris’ fiction (I am well-acquainted with her book and blog on writing). I’m glad to say that she has produced a wonderful, intimate fable using her non-human representatives, the bods, as a mirror to see what we may have sacrificed, what we have become, and to what dreams we still have a chance to attain as human beings. From the first lightning strike (reminiscent of “Johnny Five”), a very special bod, Paftoo, leads us on a journey of discovery as he pursues passions only a select few believe he should have. Along the way, he acquaints us with others who inhabit his world, a world almost entirely devoid of human beings who are little more than minds ushered around in special cars, isolated from the physical world. These are characters–bods and lifeforms–I really cared about. Her writing is lyrical and beautifully visual. It is the hallmark of effective writing. Whenever I read online site content, especially dealing with writing, I always wonder if the content provider really practices what he or she preaches. Can she pull it off? I’m glad to report that Roz Morris definitely knows what she’s talking about. I will be recommending this book to others, including those who may not be fans of science fiction. I would be proud to use this novel as an introduction to the genre.
Lifeform Three: People's Book Prize finalist; World Fantasy Award longlist; a science fiction novel in the tradition of Ray Bradbury and Margaret Atwood
Lifeform Three
- Home
- Art & posters
- Buy
- Origins
- A brief literary history of robots
- A folly glimpsed while lost in the woods
- Big Brother in your hand – the Pebble phone
- Little Switzerland – the Surrey Hills
- Science fiction origins: 10 questions with Chele Cooke
- The Surrey connection, literary ancestors and horses – essay for book clubs
- The Undercover Soundtrack – music that made Lifeform Three
- While you look outwards to the future and space, what might be happening on our little blue-green planet? Interview at One Giant Read
- Press & reviews
- Press
- Reviews
- ‘A 5-star delight, a balm for a 3-book-per-week reviewer on a diet peppered with failed look-likes’
- ‘A brave, unique voice’
- ‘A Love Letter to the Countryside’
- ‘A masterpiece… will still be wowing readers in 100 years’ time’
- ‘A modern sci-fi classic’
- ‘A robot and his horse: a love story’
- ‘An allegorical tale of the evolution of social media, intrusive advertising, preference tracking, and corporate control – a great read’
- ‘An ensouling fable in the great Bradbury tradition’
- ‘Basically I loved it’
- ‘Beautiful and complex’
- ‘Beautiful descriptive writing… felt completely real’
- ‘Beautiful story about a non-human but human-like AI’
- ‘Beautifully written and meaningful – just read it’
- ‘Bowled over by the extraordinary writing’
- ‘Brilliant, original eco-fantasy’
- ‘Charming, engrossing, uplifting’
- ‘Dreamlike… leaves an indelible mark on the memory’
- ‘Engages from the start, never falters’
- ‘Haunting, compelling and masterfully written’
- ‘In the great tradition of Atwood and Bradbury – highly recommended’
- ‘In the vein of classic sci-fi but with a lot more charm’
- ‘Lyrical, beautifully visual… a wonderful, intimate fable’
- ‘Marvellous, powerful, beautiful’ – Kij Johnson
- ‘May the future rise up to meet you, and may it be friendly’
- ‘Merging of past and present, as in Slaughterhouse 5’
- ‘Raises questions about issues of the day, from climate change to social media’
- ‘Really stole my heart… if you believe literary fiction is boring, read this’
- ‘Reminded me of Never Let Me Go by Kazuo Ishiguro, but more joyous and less tragic’
- ‘Reminds us of what makes us human – very touching’
- ‘SF in the purest sense – the thoughtful application of an idea’
- ‘Something new has this way come – a unique voice rising in the literary scene’
- ‘Tender, uplifting, hopeful’
- ‘Thoroughly entertaining, reminiscent of the best robot writing from years gone by’
- ‘Thought provoking and highly readable’
- ‘Thoughtful, unique, beautiful – I recommend it’
- ‘Tightly plotted, nailbiting, evocative… a compelling tale about finding and keeping one’s soul’
- ‘Wonderful… heartbreaking’
- Haunting word-painting of dreams, of longing, of life, of love
- Heartbreaking, thought-provoking and a damned good read
- Roz 101
‘Lyrical, beautifully visual… a wonderful, intimate fable’
- Leave a comment
Longlisted for the World Fantasy Award
'Beautifully written; meaningful; top-drawer storytelling in the tradition of Atwood and Bradbury'
‘Tightly plotted, nailbiting, evocative… a compelling tale of finding and keeping one’s soul’ The Booklife Prize
'I really didn’t want this book to end, it’s that good.'
Dig around
- Art & posters
- Buy
- Origins
- A brief literary history of robots
- A folly glimpsed while lost in the woods
- Big Brother in your hand – the Pebble phone
- Little Switzerland – the Surrey Hills
- Science fiction origins: 10 questions with Chele Cooke
- The Surrey connection, literary ancestors and horses – essay for book clubs
- The Undercover Soundtrack – music that made Lifeform Three
- While you look outwards to the future and space, what might be happening on our little blue-green planet? Interview at One Giant Read
- Press & reviews
- Press
- Reviews
- ‘A 5-star delight, a balm for a 3-book-per-week reviewer on a diet peppered with failed look-likes’
- ‘A brave, unique voice’
- ‘A Love Letter to the Countryside’
- ‘A masterpiece… will still be wowing readers in 100 years’ time’
- ‘A modern sci-fi classic’
- ‘A robot and his horse: a love story’
- ‘An allegorical tale of the evolution of social media, intrusive advertising, preference tracking, and corporate control – a great read’
- ‘An ensouling fable in the great Bradbury tradition’
- ‘Basically I loved it’
- ‘Beautiful and complex’
- ‘Beautiful descriptive writing… felt completely real’
- ‘Beautiful story about a non-human but human-like AI’
- ‘Beautifully written and meaningful – just read it’
- ‘Bowled over by the extraordinary writing’
- ‘Brilliant, original eco-fantasy’
- ‘Charming, engrossing, uplifting’
- ‘Dreamlike… leaves an indelible mark on the memory’
- ‘Engages from the start, never falters’
- ‘Haunting, compelling and masterfully written’
- ‘In the great tradition of Atwood and Bradbury – highly recommended’
- ‘In the vein of classic sci-fi but with a lot more charm’
- ‘Lyrical, beautifully visual… a wonderful, intimate fable’
- ‘Marvellous, powerful, beautiful’ – Kij Johnson
- ‘May the future rise up to meet you, and may it be friendly’
- ‘Merging of past and present, as in Slaughterhouse 5’
- ‘Raises questions about issues of the day, from climate change to social media’
- ‘Really stole my heart… if you believe literary fiction is boring, read this’
- ‘Reminded me of Never Let Me Go by Kazuo Ishiguro, but more joyous and less tragic’
- ‘Reminds us of what makes us human – very touching’
- ‘SF in the purest sense – the thoughtful application of an idea’
- ‘Something new has this way come – a unique voice rising in the literary scene’
- ‘Tender, uplifting, hopeful’
- ‘Thoroughly entertaining, reminiscent of the best robot writing from years gone by’
- ‘Thought provoking and highly readable’
- ‘Thoughtful, unique, beautiful – I recommend it’
- ‘Tightly plotted, nailbiting, evocative… a compelling tale about finding and keeping one’s soul’
- ‘Wonderful… heartbreaking’
- Haunting word-painting of dreams, of longing, of life, of love
- Heartbreaking, thought-provoking and a damned good read
- Roz 101
All material copyright Roz Morris 2013-2023